Grey area.

So I mentioned Fashion Plates in my last post and I've had a few questions about long sleeves on the Gallery Jacket. It was absolutely meant to be long-sleeved! I was basically trying to recreate a favorite sweater (seen here in all it's ribby wrappy glory) and ran out of time. Luckily, the time constraint forced me to cut corners (in a good way, IMHO) by picking up stitches around the armsyce and knitting down until they yelled "CUT! Put it on. Look pretty!" I plan to make mine long-sleeved and it will be easy for all of you to do so--just keep knitting! It might make sense to work some decrease rows past the elbow. I'll cast on for my version soon and share those numbers with you (and Webs, so they can put it on the pattern) soon.

About "re-interpreting" sweaters...a Ravelry thread about design/pattern theft got pretty heated recently. It's always an interesting discussion and I've even taught a colloquium about the contested nature of originality. We explored the possibility that it might not be possible anymore, and looked at it from a number of angles (planned communities like Celebration, FL, media mash-ups, iconography and semiotics, mimicry and homage, etc.). You can read my thoughts on this here. For non-Ravelers, I will just say that letting go of a fetishized notion of "originality" was the first step I had to take before engaging design and setting my creative output loose into the world.

The store-bought sweater uses a different rib pattern and of course, a different sleeve. Mine is practically seamless, which the store version isn't. It also incorporates some clunky, very visible decreases that I nixed. I would never claim to have dreamed up this sweater out of thin air--it's more like a jazz standard. Fun fact about me--I used to work at the Acton Jazz Cafe and have heard approximately 312 versions of "Stella by Starlight." Ooh, another--I still don't know the words! My mother used to sing professionally and my father is a jazz drummer but I am notoriously bad at learning lyrics.

The STR Sock Club accepts enrollments today. Hate to say, it was easy to resist signing up. I've signed up for two, yes TWO seasons of the Sundara Season's club and I have billion skeins of STR in my stash anyway. Working as a Stitches vendor is it's own little sock club...you get to shop the amazing booth before the attendees! Heck, Deb and Kaci will tell you that I shop the booth while they're UNPACKING. Yes, I am annoying. I can't help it, look at this!!

Anyhow, I'm saving my BMFA $$ for the Raven series. I'm oh-so-curious to see the BMFA non-brights, and Kaci tells me that the patterns are fantastic.

It's deliciously grey today. Does anyone else love these damp, foggy fall days? They get no love!

CR

P.S. Whoa. I just searched my blog to see if I've mentioned the colloquium before. I have--look at the title. SEE-nothing is original!

OMG, ya'll!

The first Gallery Jacket! Is it vain if I say that I think it's freaking adorable? Julie is right, you can style it a million ways...it was difficult to pick one way to show it in the catalog to be honest.

I haven't been the best blogger lately...I've been consumed with school stuff but somehow, after chatting with Lisa Shroyer at Stitches East, I thought it'd be a good idea to submit a few designs to Knitscene. I was all flattered and big headed for a few minutes but then I saw that it was more of an open call...heh...oh well, it was wicked fun to play designer for a week, it was just like playing with Fashion Plates! I suck at sketching so I did a little collage work. I'm in love with some of the swatches, here is a peek:


Speaking of secret designs, I can reveal the secret from an old post. Norah Gaughan designed a pattern, Lotus that was knit to fit my exact measurements (acoustic guitar-like: long neck, long torso, flared bottom/hip region, also monkey arms)! It was knit in Jasper, velvety soft Jasper in a deep wine red colorway that had stripes of charcoal of beige. I love it!!

What else...I'm knitting some simple winter accessories, the cold has finally arrived and they're very much needed, I play the same game the Harlot mentions here. The most exciting is the shawl I've started with Jenna's handspun:



I'm calling this the Girl Power shawl because Spunky Eclectic dyed the fiber, Jenna spun the yarn and I'm knitting it up, using a Spunky Eclectic pattern. The cirrrrrrrcle of yaarrrrn...

Poor Jenna was at my house for the final Red Sox World Series game...she is a Yankees fan and...we...may have bickered. The lovable underdog days are officially over, so I was kind of at a disadvantage, but I refuse to believe that Yankee fans outnumber the citizenry of Red Sox nation, which is much larger than just Massachusetts! Jenna ate some of my overcooked and bitter broccoli rabe and I felt slightly vindicated.

This song is currently stuck in my head and I don't mind at all...





CR

Gallery Jacket!

Phew, I can post a finished object! The new Valley Yarns catalog is in the store which means it's also making its way to everyone on the mailing list. In it you'll find the sweater I mentioned in my (woefully pictureless) last post. This is something I designed and knit for Valley Yarns Sheffield, a gorgeous new yarn with amazing colors that feel new for Valley Yarns--deep teal, espresso brown, etc. This is the Gallery Jacket, named for Arts Night Out, a Northampton institution that I have sadly never participated in (Mexifest ladies, maybe on the 14th?)

Tell me, what is wrong with this picture? Why should you never trust the "I'm just fixing my hair pose"?


Because the great Maggie Righetti says you shouldn't, in Chapter 1 of "Knitting In Plain English" titled: You Can Always Tell What's Wrong With a Garment By The Way a Model is Posed, or Slender Five-Foot-Ten Inch Models Look Good in Anything. See for yourself!

The "problem" in this case is the sleeve. I intended this to be a long sleeved sweater (full-disclosure, I was trying to recreate this sweater, purchased at a Marshall's, no discernible designer) with a modified drop shoulder. I couldn't knit the twisted ribbing fast enough and was on a somewhat scary deadline for a relatively slow knitter. The twisted ribbing takes FOREVER, but I really think it was worth it in the end.



Back to the point, I decided to pick up stitches and knit down in the round, so that no matter where I was when I ran out of time, I'd a least have a sleeve! I got about 2.5 inches done on both and tried the thing on. Somehow I forgot that the beauty of a drop shoulder is that it forms the top of your sleeve! It looked just fine with the stubby sleeves, in fact, many people thought it would've lost cuteness had I continued knitting.


The Sheffield is quite warm so it was actually nice to have a mostly bare arm. I've tweaked the pattern and incorporated some decreases to take care of the pooching (technical term?) that occurs under the arm in these pictures. I think that would've been weighted down with a longer sleeve, but here it's a bit obvious. A short row cap sleeve would've been nice, but I still have my training wheels on when it comes to designing!

One last note--this was modeled WET--I blocked it about 10 hours after I finished it and in a humid July, the water barely budged. When the sweater dried it looked a lot less saggy under the arm area, I promise. It'll be in the store and again, the pattern was revised after knitting. I'll have to test knit a second version when more Sheffield arrives because I really want one of these in my wardrobe.

CR

P.S. The shawl pin in the catalog pictures and the design inspiration picture is the same, made by Moving Mud. I think I might purposely design sweaters that require these, they're beautiful!

P.P.S. More credits, the most important: these pictures are the product of Penny and David Michalak, a local couple who between them have too many design related talents to list!